Check out the latest titles at the Music Library, including scores, books, eBooks, and CDs. Keep reading and drop by the library to browse some new additions to our shelves since our last post on February 6.
Weekly highlights
Wright, David C. 2024. Conveying Lived Experience through Rock and Pop Music Lyrics. Lanham: Lexington Books. [ML3470 .W85 2024X]
Conveying Lived Experience through Rock and Pop Music Lyrics explores seven decades of lyrics to elucidate themes about the human experience. The opening chapters discuss romantic relationships and break ups. Subsequent chapters consider lyrics describing nostalgia, as well as those about leaving home, going on the road, and returning home. Then, successive chapters examine the outsider in society, those experiencing mental illness, and alcohol and drug use. Next, songs of social and political critique are surveyed, followed by an examination of utopian and dystopian lyrics. The final chapters analyze songs using prophetic voices and those about the afterlife. This survey shows how lyrics convey the lived experience of people in contemporary society.
Verba, Ericka Kim. 2025. Thanks to Life : A Biography of Violeta Parra. Chapel Hill: The University of North Carolina Press. [ML420 .P26 V47 2025X]
Chilean musician and artist Violeta Parra (1917-1967) is an inspiration to generations of artists and activists across the globe. Her music is synonymous with resistance, and it animated both the Chilean folk revival and the protest music movement Nueva Canción (New Song). Her renowned song 'Gracias a la vida' has been covered countless times, including by Joan Baez, Mercedes Sosa, and Kacey Musgraves. A self-taught visual artist, Parra was the first Latin American to have a solo exhibition at the Museum of Decorative Arts in the Louvre. In this remarkable biography, Ericka Verba traces Parra's radical life and multifaceted artistic trajectory across Latin America and Europe and on both sides of the Iron Curtain. Drawing on decades of research, Verba paints a vivid and nuanced picture of Parra's life. From her modest beginnings in southern Chile to her untimely death, Parra was an exceptionally complex and talented woman who exposed social injustice in Latin America to the world through her powerful and poignant songwriting. This examination of her creative, political, and personal life, flaws and all, illuminates the depth and agency of Parra's journey as she invented and reinvented herself in her struggle to be recognized as an artist on her own terms.
Ross, Sarah M. 2024. The Moralization of Jewish Heritage in Germany : Sustaining Jewish Life in the Twenty-First Century. Lanham: Lexington Books. [ML3917 .G3 R6 2024X]
This book explores and reveals the intricacies of Jewish heritage in contemporary Germany, the role it plays as a "moral heritage" in the symbolic representation of Jews and Judaism in the national landscape, and its relevance for the cultural sustainability of local Jewish communities. The practice of synagogue music in the past and present is a central case study in the discussions. This ethnographic study examines how Jewish liturgical music as the cultural heritage of minorities has been constructed, treated, discussed, appropriated, and passed on to different actors in different forms and for different purposes over time. It also examines the resulting moral and ethical questions and power imbalances. The author discusses how both Jewish and non-Jewish stakeholders utilize the music of 19th- and early 20th-century Reform Judaism and the Minhag Ashkenaz for a symbolic reconstruction of German Jewry. Furthermore, they repatriate it in local Jewish communities today. This is usually done for individual, sometimes commercial, rather than religious reasons. The Jewish-musical cultural heritage process is characterized by moral imperatives and complex negotiations about power and representation. It reveals problematic aspects of German-Jewish relations, cross-generational rifts, and denominational differences between the Jewish communities in post-war Germany.
Schweizer, Manuel. 2024. Déconcertants concerts, ou, Les étonnements d’un pianiste voyageur : récit. Vincennes: Les éditions Globophile. [ML417.S424 A3 2024Y]
Je m'assieds immédiatement au clavier, et là... consternation ! Non seulement le son de l'instrument est extrêmement mauvais, mais rien ne fonctionne, une note sur deux ne joue pas, impossible de contrôler quoi que ce soit. Un désastre en perspective ! En 40 ans de carrière, Manuel Schweizer a posé ses doigts sur de nombreux pianos, des bons, des mauvais, des queues, des droits, des fatigués, des désaccordés... Il a joué devant des ambassadeurs, des ministres, des présidents, dans des petites salles, des grandes, des prestigieuses, des moins glorieuses... Il nous présente ici, avec tendresse et humour, des personnages attachants, des situations cocasses et, quelques chocs civilisationnels, rencontrés et vécus lors de ses plus notables déconcertants concerts à travers le monde.
Glover, Jane. 2023. Mozart in Italy : Coming of Age in the Land of Opera. London: Picador. [ML410 .M9 G644 2023Y]
At thirteen years old Wolfgang Amadeus Mozart was a child prodigy who had captured the hearts of northern Europe, but his father Leopold was now determined to conquer Italy. Together, they made three visits there the last when Mozart was seventeen, all vividly recounted here by acclaimed conductor Jane Glover. Father and son travelled from the theatres and concert salons of Milan to the church-filled streets of Rome to Naples, poorer and more dangerous than the prosperous north, and to Venice, the carnivalesque birthplace of public opera. All the while Mozart was absorbing Italian culture, language, style and art, and honed his craft. He met the challenge of writing Italian opera for Italian singers and audiences and provoked a variety of responses, from triumph and admiration to intrigue and hostility: in a way, these Italian years can be seen as a microcosm of his whole life. Evocative, beautifully written and with a profound understanding of eighteenth-century classical music, Mozart in Italy reveals how what he experienced during these Italian journeys changed Mozart--and his music--for ever.
Ordóñez Eslava, Pedro, ed. 2023. Lo flamenco liberado : ecos hoy del Concurso de Cante Jondo de Granada. Editorial Universidad de Granada. [ML3712 .M745 2023Y]
El relato que estás a punto de leer se ha construido a través del diálogo tan abierto como crítico e (in)disciplinado que constituye -o debería constituir- cada acción intelectual. En este caso, y con el horizonte del Centenario del Concurso de Cante Jondo de Granada celebrado en 1922, hemos pretendido expandir, diluir y hacer derramar sus límites hermenéuticos y también políticos con la intención de componer un retrato colectivo, poliédrico y actual, con la intención de contextualizar y traer al hoy los ecos de eso que se ha dado en llamar lo jondo, un concepto de por sí difícilmente aprehensible. Es por ello que hemos distribuido los capítulos en tres bloques íntimamente relacionados entre sí: cuerpos remite a la lectura performativa del Concurso y a su (en)carnación, es decir, al proceso por el que un relato puede encuerparse y materializarse a través tanto de una posible propuesta coreográfica como de lo estrictamente sonoro; imágenes sigue este mismo camino aunque en el terreno de lo visual e iconográfico: lo vernáculo, lo popular y lo flamenco son categorías permeables y concurren hacia la configuración de un imaginario canonizado y al mismo tiempo continuamente pervertido; revelaciones nos aproxima a lo velado, lo oculto y también ocultado, lo que permanece en una penumbra quizás también deliberada pero que necesita de diálogo y encuentro entre lo jondo y jondista, lo masculino junto con lo homoerótico y lo gitano.
Giroux, Monique. 2024. Métis Music : Stories of Recognition and Resurgence. Montreal ; McGill-Queen’s University Press. [ML3563.9 .G57 2024Y]
What makes music Métis, and who gets to decide? Complex dynamics of recognition, non-recognition, and erasure have played out over a history of Métis music-making, from the Red River Resistance all the way to the present day. Monique Giroux argues that Métis music reflects broader social relationships, in particular the politics of recognition. Drawing on newspaper articles, archival documents, interviews with Métis and non-Métis musicians, and over a decade of research at cultural festivals, she charts a history of reframings: a changing but problematic relationship whereby settlers define the boundaries of acceptance to assert control over Métis identity and culture. Complicating this narrative, Giroux points to the many ways Métis have resisted settler recognition and erasure - both within mainstream old-time fiddling and at Métis-run events where people have continued to gather, tell stories, and draw on music to rebuild relationships in a time of resurgence. Métis Music critically examines music as a shifting site of encounter, showing its readers what to listen for, how to learn by listening, and the importance of acting intentionally with the learning gained through listening.
Shadrack, Jasmine Hazel, and Keith Kahn-Harris, eds. 2024. Heavy Metal and Disability : Crips, Crowds, and Cacophonies. Bristol, UK ; Intellect. [ML3918 .R63 H42 2024Y]
A study of the distinctive relationship between metal and disability. Persisting across metal's sub-genres is a preoccupation with exploring and questioning the boundary that divides the body and has agency from the body that has none. This boundary is one that is familiar to those for whom the agency of the body is an everyday matter of survival. Metal's preoccupation with unleashing and controlling sensorial overload acts both as an analogue of neurodiversity and as a space in which those who are neurodivergent find ways to understand and leverage their sensory capabilities. Metal offers potent resources for the self-understanding of people with disabilities. It does not necessarily mean that this potential is always explored or that metal scenes are hospitable to those with disabilities. This collection is disability-positive, validating people with disabilites as different and not damaged. It situates itself in a wider struggle to open up metal, challenging its power structures -- a struggle in which metal studies has played a significant part.
Salicrú-Maltas, Maria. 2024. Aquesta cançó, no! Barcelona: Comanegra. [ML3498.7.C38 S25 2024Y]
Una història tan real com difícil de creure. No fa tants anys, durant el franquisme, l’ofici de censor podia semblar una manera com qualsevol altra de guanyar-se la vida. El moviment cultural de la Nova Cançó, pel seu èxit esclatant, va ser una de les dianes principals de l’obsessió inquisidora del règim, i la persecució que van patir els músics va ser salvatge. Saber qui va exercir la repressió, com i per què: aquest ha estat l’objecte d’investigació de Maria Salicrú-Maltas durant més de vint anys, que surt a la llum en una crònica trepidant carregada d’aportacions inèdites i de vivències personals reveladores. L’autora ha aconseguit fer parlar per primera vegada alguns d’aquells censors, i n’ha identificat molts altres que ja no poden (o no volen) parlar. Un llibre de memòria històrica viva i present: de com continuen digerint la repressió tant els qui la van patir com els qui la van exercir; dels enganys i les ficcions que genera el record. I un testimoni honest del frenesí que experimenta una jove investigadora quan s’adona que ha aconseguit, per fi, entrar a la gola del llop.
Junk, David, and Fred Bronson. 2024. Rockin’ the Kremlin : My Incredible True Story of Gangsters, Oligarchs, and Pop Stars in Putin’s Russia. Lanham: Rowman & Littlefield. [ML429 .J88 A3 2024X]
When the Soviet Union collapsed in 1991, Russia opened its borders, and Russian audiences were hungry for Western popular music and the values it espoused. David Junk was one of the first idealistic, young Americans to seize this opportunity. Rockin’ the Kremlin is the thrilling true story of how David became the first CEO of Universal Music Russia and built impactful cultural bridges with music—but also how that would all shatter with the rise of Vladimir Putin and invasions of Ukraine. There was no proper music industry in the USSR, and creating a modern music industry in Russia would be far more challenging than anyone had anticipated. David assembled a team of young and talented Russians, and they navigated a terrain filled with political chaos, organized crime, powerful oligarchs, bombings, and violence—with cultural clashes tinting many aspects. They captivated millions by bringing superstar acts to Russia for the first time ever, including Metallica, Mariah Carey, Sting, Eminem, and Enrique Iglesias, while developing local talent such as Alsou and t.A.T.u.—Russia’s greatest selling pop act of all time. Eventually, David would even build a music industry in Ukraine and other countries in Eastern Europe. While Russia’s descent into authoritarianism and two invasions of Ukraine have tarnished this, the industry that David shepherded has birthed a newer generation of Russian musicians who are speaking out against the war and Putin. Filled with unique insights as well as gripping—and sometimes humorous—stories, this book reveals how it all happened.
Descriptions for each item provided by the publisher and/or from the catalogue description.
Keep reading for the complete list of new scores, books, and eBooks, and CDs.
Scores
- M2 .D46 — Sämtliche Lieder / Max Bruch ; herausgegeben von Guido Johannes Joerg.
- M7 .B814 O6 2023 — Composizioni per organo o harmonium. Volume 1 / Pietro Branchina ; edizione a cura di Ivan Raiti.
- M7 .B814 O6 2023 — Composizioni per organo o harmonium. Volume 2 / Pietro Branchina ; edizione a cura di Ivan Raiti.
- M7 .O6456 1994 — Il distinto organista : 15 suonate per gli organi moderni con organo d'eco o di risposta e pedaliera cromatica. Volume 1 (sonate 1-5) / Girolamo Barbieri.
- M7 .O6456 1994 — Te Deum laudamus : op. 28 : per organo e orchestra d'archi / Giovanni Sgambati ; a cura di Maurizio Machella.
- M8 .D37 S8 2023 — Sinfonia marziale in Re maggiore per organo / P. Davide da Bergamo ; a cura di Maurizio Machella
- M8 .M374 op.36 2024 — Sonata in Re minore per organo pieno / Giuseppe Martucci ; edizione a cura di Maurizio Machella.
- M9 .H2512 C4 2024 — A Christmas vigil : for organ / Adolphus Hailstork.
- M11 .A529 E53 2024 — Eight easy voluntaries for the organ / John Alcock Jr. ; edited by Maurizio Machella.
- M11 .H207 P7 2024 — Prelude on Duke Street : for organ / Adolphus Hailstork
- M21 .A584 1994 — Pièces d'orgue. Volume 1 / Claude Bénigne Balbastre ; édité par Maurizio Machella.
- M21 .A584 1994 — Pièces d'orgue. Volume 2 / Claude Bénigne Balbastre ; édité par Maurizio Machella.
- M21 .A584 1994 — Pièces d'orgue. Volume 3 / Claude Bénigne Balbastre ; édité par Maurizio Machella.
- M21 .A584 1994 — Duetto Es-Dur für zwei Claviere (oder Flügel oder Fortepiano) / Johann Gottfried Müthel ; herausgegeben von Giacomo Benedetti und Anna Clemente.
- M21 .A584 1994 — Sei sonatine per clavicembalo, op. VI / Ernst Eichner ; edizione a cura di Alberto Guerzoni
- M21 .A584 1994 — Sei sonate per clavicembalo / Giacomo Croce ; edizione a cura di Maurizio Machella.
- M21 .A584 1994 — Compositions pour clavecin ou (orgue) / Étienne Richard ; [édition] par Maurizio Machella.
- M21 .A584 1994 — Sonata in Do magg. : per fortepiano a sei mani / Giovanni Agostino Perotti.
- M23 .B6775 no.1 2023 — Sonatine 1a dédiée à Mlle Valérie Boissier pour piano / Caroline Boissier-Butini.
- M25 .L856 C3 2024 — Cartas portuguesas : (2016) : für Klavier = for piano / Camille van Lunen.
- M25 .M8424 op.125 2024 — Berceuse pour Louis : op. 125, 2023, pour piano = für Klavier = for piano / Florentine Mulsant.
- M26.2 .H33 G4 2024 — Getting the upper hand on America : (two variations for "America/Beautiful" for piano right-hand) / John Harbison.
- M27 .P176 T43 2024 — Tears, no more : for harpsichord / Roxanna Panufnik.
- M32.8 .P45 A74 2023 — Ariettes diverses / Jean-Baptiste Pergolèse ; arrangées pour le clavecin par Michel Corrette ; édition d'Olivier Baumont et Louis Castelain.
- M42 .H2 T4 2024 — Three for Mark : for solo violin / Adolphus Hailstork.
- M52 .E86 O64 2024 — One word makes a world : for unaccompanied cello : 2021 / Reena Esmail.
- M62 .D84 I66 2023 — Io! = (Iō) : pour flûte solo / Pascal Dusapin.
- M62 .I23 P5 2024 — Pièce pour flute seule = for solo flute / Jacques Ibert ; introduction et notes d'interprétation de Bruno Jouard = introduction and notes on interpretation by Bruno Jouard.
- M64 .L63 S72 2024 — Stacked : for solo flute and recording (2008) / Allison Loggins-Hull.
- M79 .C54 E54 2024 — Elegy : for solo bassoon / Chen Yi.
- M127 .O617 F35 2024 — ...fallen deine Träume ins Nirgends... : (Barafostus' Dream) : (2022) : für Gitarre = :for guitar / Vivienne Olive.
- M127 .S2323 C8 2023 — Cuaderno de Friedenau : para guitarra sola = für Solo-Gitarre = for guitar solo / José M. Sánchez-Verdú.
- M128 .A7841 2024 — The art of the galliard : 13 lute galliards / transcribed for guitar by John W. Duarte ; additional fingering and editing by Alan Rinehart.
- M146 .F85 S56 2023 — Skoal! : for solo percussion / Norio Fukushi = Skōru! : soro pākasshon no tame no / Fukushi Norio.
- M242 .C753 L37 2024 — The last possibilities of light : ritornello-variations for flute and piano (2023) / Donald Crockett.
- M242 .G7252 H4 2023 — Herdersdicht : églogue voor fluit met klavierbegeleiding / Rosa Granjé.
- M289 .I43 B53 2022 — Strata XIII : for flute and clarinet / Shin-ichiro Ikebe = Sutorāta XIII : frūto to kurarinetto no tame ni / Ikebe Shin'ichirō.
- M298 .A37 I67 2024 — -intuition) (expectation : [for trumpet and marimba] : (2012) / Andy Akiho.
- M319 .E95 T7 2024 — Trio for flute, horn, and piano / Eric Ewazen
- M361 .C26 T7 2024 — 6 trios for flute, violin and violoncello / Giuseppe Maria Cambini ; edited by Flavio Cappello.
- M452 .L3655 no.2 2024 — String quartet no. 2 / Han Lash.
- M469 .G73 V3 2024 — Valses poéticos : for guitar ensemble / Enrique Granados ; transcription by Alessandro Borin ; fingering by Alessandra Lucchi.
- M485 .A05 C7 2024 — Crossing lines : for trombone, accordion, violin and cello / Torstein Aargaard-Nilsen.
- M512 .S776 F53 2024 — Flate : for string quartet and piano : (2002) / Jostein Stahlheim.
- M557 .C655 P6 2024 — Suite, portraits of Josephine : for wind quintet / Valerie Coleman.
- M957.4 .S512 D47 2023 — Depth sounding : for low brass choir and pre-recorded audio / Alex Shapiro.
- M1001 .B34 No.3 2024 — Third symphony for orchestra / Arnold Bax.
- M1001 .B34 No.5 2024 — Fifth Symphony / Arnold Bax.
- M1001 .B34 No.6 2024 — Symphony No. 6 / Arnold Bax.
- M1001 .B34 No.7 2024 — Symphony no. 7 / Arnold Bax.
- M1003 .G394 S9 2024 — Suite de noëls : symphonie, ChG.82 / Charles-Hubert Gervais.
- M1003 .P89 O7 2024 — Pushkiniana : si︠u︡ita iz muzyki k kinofilʹmu "Pikovai︠a︡ dama", k spektakli︠a︡m "Evgeniĭ̆ Onegi" i "Boris Godunov" / S. Prokofʹev ; sostavlena i otredaktirovana G. Rozhdestvenskim.
- M1003 .Q6 A8 2024 — Suite from "As you like it" : for small orchestra (op. 21) / by Roger Quilter.
- M1003 .R9423 op.21 2024 — Serenade (Nr. 2 G-Dur) für Orchester, Op. 21 / von Ernst Rudorff.
- M1004 .K73 T5 2024 — Theater-Ouvertüre : für grosses Orchester / Zoltan Kodaly.
- M1004 .L1113 D4 2024 — Ouverture zu Schillers Demetrius : für grosses Orchester : op. 44 / von Vinzenz Lachner.
- M1010 .V07 H6 2024 — Hokkaidos hagar = Gardens of Hokkaido : for piano and orchestra : 2024 / Knut Vaage.
- M1012 .Z657 op.15 2024 — Suite für 2 Violinen und kleines Orchester in 4 Sätzen, Op. 15 / Hermann Zilcher.
- M1024 .L55 A85 2024 — At the hills of Hampstead Heath : clarinet concerto no. 1 for solo clarinet and orchestra, 2017 / Emmy Lindström.
- M1036 .S25 M67 2024 — Morceau de Concert pour harpe avec accompagnement d'orchestre, op. 154 / Camille Saint-Saëns.
- M1040 .E3 C6 2024 — Tripel-Konzert : für Trompete, Klarinette, Fagott, Streicher, Pauken und Schlagwerk / S. C. Eckhardt-Gramatté.
- M1045 .B9712 op. 46 2024 — Capriccio für kleines Orchester : op. 46 / von Adolf Busch.
- M1045 .D609 S8 2023 — Suite de thomyris : pour orchestre / Francois Dieupart ; edited by Michel Quagliozzi.
- M1045 .G85 D8 2023 — Due cantate alla vergine su versi di Francesco Petrarca "Vergine bella, che di sol vestita" : Cantata n.1 per solo di soprano, coro e orchestra ; Cantata n.2 per solo di contralto, coro di voci bianche, coro di voci maschili e orchestra / Luigi Guida ; a cura di Candida Guida, Francesco Aliberti e Giovanni Lucibello.
- M1045 .J798 op.24 2024 — Fantaisie sur deux Noëls populaires wallons : op. 24 / Joseph Jongen.
- M1045 .R48 A43 2024 — Alcancias : for small orchestra / Silvestre Revueltas.
- M1140 .C677 op.26 no.3 2024 — Concerto, op. XXVI n°3 : con due violini e organo o cimbalo obbligato / Michel Corrette ; edited by Victor Gavenda.
- M1145 .L37 R5 2024 — Ringraziamenti : for string orchestra, 2022 / Mats Larsson Gothe.
- M1500 .D46 C5 2024 — Circé : (1694) / Henry Desmarest ; édition de Jean Duron.
- M1500 .L296 L4 2024 — La lépreuse = Die Ausgestossene : tragédie légendaire en trois actes / poème de Henry Bataille ; musique de Silvio Lazzari.
- M1500 .W43 Z2 2024 — Der Zar lässt sich fotographieren : Opera buffa in einem Akt : op. 21 (1927) / Kurt Weill ; Libretto von Georg Kaiser.
- M1507 .G58 O6 2023 — Airs d'opéra français--dessus / Christoph Willibald Gluck ; édition de Benoît Dratwicki.
- M1530 .E38 C3 2024 — Caractacus : op. 35 / Edward Elgar.
- M1530 .H75 C4 2024 — First choral symphony : op. 41 / Gustav Holst.
- M1530 .L76 C5 2024 — Chöre zu Herders "Entfesseltem Prometheus" / von Franz Liszt ; verbindender Text von Richard Pohl.
- M1530 .P85 op.116 2024 — Iwan der Schreckliche : Op. 116 / Sergej Sergejewitsch Prokofjew.
- M1531 .W355 O7 2023 — O sweet spontaneous earth : for SATB choir and string orchestra / Judith Weir.
- M1613.3 .S3 K3 2024 — Kantata a voce sola con flauti : Augellin vago canoro ; Canto, flauti e basso continuo / Alessandro Scarlatti.
- M1613.3 .S3 K36 2024 — Kantata a voce sola con flautir : Mentre clori la bella ; canto, flauti e basso continuo / Alessandro Scarlatti.
- M1621 .D235 D8 2023 — Due composizioni sacre / Wolfango dalla Vecchia ; a cura di Silvio Celeghin.
- M1621 .L4322 T34 2024 — Three songs for soprano and piano / Dominique Le Gendre.
- M2013 .M763 M4 2023 — Messa in onore di Maria Vergine : per coro a due voci dispari alternate e organo / Marco Monaldi.
- M2013 .P85 M4 2024 — Messa alla SS. icone : per coro a quattro voci miste (SATB), assemblea e organo oppure per coro unisono, assemblea e organo / Mauro Presazzi.
- M2020 .E88 C8 2024 — Cum invocarem / Francois Estienne ; edited by Bénédicte Hertz.
- M2020 .G44 O2 2024 — O beata infantia : cantique pour Noël, ChG. 69 / Charles-Hubert Gervais.
- M2020 .G543 D6 2023 — Domine, deus meus, in te speravi / Jean Gilles ; édition de Louis Castelain.
- M2020 .G846 T7 2023 — Trilogia sabauda a Maria Cristina di Savoia : cantata per baritono, coro di voci bianche, coro di voci maschili e orchestra / Luigi Guida ; a cura di Francesco Aliberti, Candida Guida, Giovanni Lucibello.
- M2021 .F28 op.11 2023 — Cantique de Jean Racine : op. 11 / Gabriel Fauré ; adattamento per coro a 4 voci (SATB), archi e organo di Gianmaria Fantato Pontini
- M2072 .D68 P72 2024 — Praise Him with the sound of the trumpet : for SSAATTBB and organ / Jonathan Dove.
- M2072 .G3 M4 2024 — Messa "Christus spes mea" : per assemblea, coro a quattro voci miste (SATB) ad lib. e organo / Francesco Gabellieri.
- M2092 .D2616 C4 2023 — Christus passus est pro nobis : motetto per soprano solo e coro a 4 voci / Wolfango dalla Vecchia ; a cura di Francesco Erle
- M2092 .N37 D5 2023 — Di luci e tenebre : tra il sacro e il profano : due composizioni per coro a cappella. Laudato sie, mi' signore (Dal cantico delle creature) per S.S.A.A.T.T.B. La sera (Berceuse) per flauto e S.A.T.Br.B. / Daniela Nasti.
- M2113 .M669 C45 2024 — Christo è risorto : per canto e organo / Vittorio Montis
Books
- ML38 .P19 V639 2024 — Paraíso de Coura / fotografia, Alfredo Cunha ; textos, Vítor Paulo Pereira, Valter Hugo Mãe, Mário Lopes, Sandra Maria Teixeira.
- ML85 .A53 2024Y — Despacio el mundo / Ramón Andrés.
- ML101 .I73 V35 2024X — The companion to Irish traditional music / edited by Fintan Vallely ; with key contributions by Liz Doherty, Terry Moylan, Verena Commins, Martin Dowling, Rebecca Draisey Collishaw, Niall Keegan, Catherine Foley, Colin Hamilton, Desi Wilkinson, and John Moulden.
- ML315.7.C17 F842 2024Y — Documentos para el estudio de la música y la cultura en Castilla-La Mancha : actas capitulares de la Catedral de Cuenca (1811-1880) : contiene Addenda (años 1800, 1801 y 1802) / José Luis de la Fuente Charfolé.
- ML410 .B88 K67 2024Y — Bruckner's fourth : the biography of a symphony / Benjamin M. Korstvedt.
- ML410 .M4528 A5 2024X — Frankie McIntosh and the art of the soca arranger / Frankie McIntosh and Ray Allen.
- ML410 .S4 B85 2024X — Robert Schumann's Leipzig chamber works : music in the great stream of time / Julie Hedges Brown.
- ML418 .H56 A3 2024 — Cello notes : music and the urgency of time / Mavis Himes ; illustrations by Brian Gable.
- ML419 .G365 A3 2024X — Mango tree musician : the Carlos Garnett autobiography / Carlos Garnett, with Jaime J. Ortiz.
- ML420 .F3 T84 2023X — Asrār al-kunūz bayna al-Raḥbānī wa-Fayrūz : ruʼyah naqdīyah / ʻAbd al-Ghanī Ṭulays.
- ML420 .T954 A3 2023X — World within a song : music that changed my life and life that changed my music / Jeff Tweedy.
- ML420 .W475 J64 2024X — The life and music of Booker "Bukka" White : recalling the blues / David W. Johnson ; foreword by Frank Matheis.
- ML421 .P265 B37 2024 — 1, 2, 3, 4! : contando o tempo com Os Paralamas do Sucesso / João Barone.
- ML1727 .M83 2023 — Music and mirrored hybridities : cultural communities converging in French, German, and Turkish stage productions (17th-20th century) / edited by Judith I. Haug, Hanna Walsdorf.
- ML3088 .M875 2024 — Music and liturgy for the Benedicamus Domino c.800-1650 / edited by Catherine A. Bradley.
- ML3477 .R69 2024Y — The endless refrain : memory, nostalgia, and the threat to new music / David Rowell.
- ML3479 .Y45 2024Y — Le son de la révolte : une histoire politique de la musique noire américaine / Christophe Ylla-Somers.
- ML3508 .J64 2024 — Jazz radio America / Aaron J. Johnson.
- ML3845 .K55 2024Y — Russkai︠a︡ filosofii︠a︡ muzyki : statʹi 2010-2020-kh godov / Aleksandr Kli︠u︡ev.
- ML3921.2 .R56 2024Y — El oído a los cirios : doce senderos musicales de espiritualidad cristiana / Antonio Ríos Rojas.
eBooks
- Oxford
- Cambridge
- Routledge
- other eBook platforms available through University of Toronto Libraries.
CDs
- CD 6280-6283 — Der Ring des Nibelungen / Richard Wagner.
- CD 8133 — Symphonies nos. 1-9 [sound recording] / Beethoven.
- CD 10296 — Lumières ottomanes = Ottoman splendours / Lamia Yared ; Ensemble Oraciones.
- CD 10302 — In a landscape / Hunter Noack.
- CD 10304 — Concerto per due cembali / Christlieb Sigmund Binder.
- CD 10362-10366 — 9 symphonies / Beethoven.
- CD 10367-10368 — Works for cello ; Lecture on nothing / John Cage.
- CD 12743-12745 — Der Ring des Nibelungen. Vorabend : Das Rheingold / Richard Wagner.
- CD 12746-12749 — Der Ring des Nibelungen. Erster Tag : Die Walküre / Richard Wagner.
- CD 12750-12753 — Der Ring des Nibelungen. Zweiter Tag : Siegfried / Richard Wagner.
- CD 12754-12757 — Der Ring des Nibelungen. Dritter Tag : Götterdämmerung / Richard Wagner.
- CD 51463-51464 — The complete piano sonatas [sound recording]