Recent Acquisitions

Check out the new books, scores, and recordings added to our shelves over the last month. View our weekly highlights in the New Arrivals display at the library or jump to the complete list of new scores, books, eBooks, and CDs.

Weekly highlights

Front cover of Rhythmicity and DeleuzeTromans, Steve. 2023. Rhythmicity and Deleuze : Practice as Research in the Musical-Philosophical. Lanham: Lexington Books. [ML3800 .T77 2023X]

In this detailed and comprehensive study of concepts from Gilles Deleuze’s philosophy of time, Tromans undertakes a series of practice as research projects that reformulate Deleuze’s work via what Tromans calls a “musical-philosophical” practice. Tromans interweaves his own solo-piano improvisation and composition with analyses of his and others’ works in improvisation and experimental musics, leading to the creation of new, interdisciplinary concept or conceptual practice that he calls Rhythmicity: a way to rethink the temporal in respect of how we model its movements and relationships. Through the models of temporal interaction devised via each project, Deleuze’s concepts are transformed via their incorporation into the musical-philosophical mix. In addition, music improvisation and composition are shown to be utilisable for more than the making of music alone, with the thesis providing fresh insight for the fields of practice as research in music, Deleuze studies, experimental music, and Performance Philosophy in respect of its uniqueness of process and output.

Front cover of Black RioDiniz, André. 2022. Black Rio nos anos 70 : a grande África soul. Rio de Janeiro: Numa Editora. [ML232.8 .R5 D56 2022]

"Os inúmeros bailes black e suas equipes de som - mais de 300 - se espraiavam massivamente pelos bairros opera ́rios da Zona Norte, Oeste, Baixada Fluminense, Niterói e Grande Rio e eram o meio onde ideias libertárias pululavam nas "cabeças feitas" de blacks ou browns, tal como essa juventude se autoproclamava. Andre Diniz, historiador, geógrafo e arguto pesquisador, revela com minúcias como este fenômeno de massa, absolutamente espontâneo, repercutiu amplamente para além da cultura carioca, mas em âmbito nacional. E ainda, contextualiza o Movimento Black Rio como parte de um circuito pan-africanista transnacional experimentado, à mesma época, em todas as partes do mundo onde as culturas africanas deitaram as suas raízes."--Publisher.

Front cover of Weil, Blitzstein, and BernsteinSchmid, Rebecca. 2023. Weill, Blitzstein, and Bernstein : a Study of Influence. Rochester: University of Rochester Press. [ML410 .W395 S38 2023X]

"Theodor Adorno famously proclaimed that the model of Kurt Weill could not be repeated. Yet Weill's stage works set an inescapable precedent for composers on both sides of the Atlantic. Rebecca Schmid explores how Weill's formal innovations in particular laid the groundwork for operas and musicals by Marc Blitzstein and Leonard Bernstein, although both composers resisted or downplayed his aesthetic contribution to American tradition. Comparative analysis based on Harold Bloom's Anxiety of Influence and other modes of intertextuality reveals that the principles of Weill's opera reform would catalyze an indigenous movement in sophisticated, socially engaged music theatre. Weill, Blitzstein, and Bernstein: A Study of Influence focuses on works that represent different phases of Weill's mission to renew the genre of opera, evolving from Die Dreigroschenoper to the musical play Lady in the Dark and the Broadway Opera Street Scene. Blitzstein and Bernstein in turn defied formal boundaries with The Cradle Will Rock, Regina, Trouble in Tahiti, Candide, and West Side Story - part of a short-lived movement in mid-twentieth century America that coincided with a renaissance for Weill's German-period works following the premiere of Blitzstein's translation, The Threepenny Opera, under Bernstein's baton. The unpublished A Pray by Blecht, for which Bernstein rejoined Stephen Sondheim and Jerome Robbins, his collaborators on West Side Story, deepens the connection of Bernstein's aesthetic to Weill"-- Provided by publisher.

Front cover of Speech about MusicSharif, Malik. 2019. Speech About Music : Charles Seeger’s Meta-Musicology. Vienna: Hollitzer. [ML423 .S498 S53 2019]

The US American musicologist, composer, philosopher, inventor, and political activist Charles Seeger (1886–1979) is a key figure in the development of twentieth-century musicology. Speech about Music is an in-depth study of his philosophical theory of musicology – his meta-musicology. Seeger developed this body of theory in numerous publications over the course of more than sixty years, yet he never realized his dream of creating a comprehensive “Principia Musicologica”. Detailed historical reconstruction and comparative analysis of Seeger’s meta-musicology makes Speech about Music an important contribution to the study of the history of musicology. By approaching Seeger’s theory as an arsenal of ideas in the discussion of twenty-first century meta-musicological issues, the book is also a critical examination of the pertinence of Seeger’s ideas.

Front cover of The Globally FamiliarDattatreyan, Ethiraj Gabriel. 2020. The Globally Familiar : Digital Hip Hop, Masculinity, and Urban Space in Delhi. Durham: Duke University Press. [ML3917 .I4 D388 2020]

"The Globally Familiar is a ethnographic study following young men in Delhi's hip hop scene from a variety of class, caste, geographic, and cultural-linguistic backgrounds as they construct themselves through their online and offline aesthetic practices. A synthetic term, the globally familiar is used to describe and theorize how digital platforms offer these young men the means to reimagine and remake self and city through hip hop practice. Recognizing the reach of American Black masculinity beyond the African diaspora, digital hip hop becomes the lens by which these young men come to understand and creatively mobilize their perceived and experienced gendered (classed, and racialized) difference in ways that produce new relations in and with the city they call home. The book is divided into six chapters that structure the analysis of the globally familiar into its composite thematic parts: relational, consumptive, material, global, spatial, and racial. Chapter 1 discusses how intimate relationships and friendships are constituted across difference through digital hip hop practice. Chapter 2 focuses on the consumption of sartorial accouterments, or swag, and its transformative capacity to offer a connection to an embodied American Black masculinity. Chapter 3 investigates the audio-visual material production of hip hop and its circulation in digital realms, and its relation to immaterial labor. Chapter 4 looks at the complex political economy of returning Indian diasporic hip hop emissaries, and how they seek to capitalize on the creative endeavors of the young men in Delhi's hip hop scene, offering these young men material and symbolic incentives to collaborate with them. Chapter 5 situates the case by artists and activists for an alternate development model for the urban village, represented as a global 'hood, against modern urban change in Delhi. Chapter 6 engages with the ways racism is evoked and experienced by a broad array of young male practitioners in the city, and the ways in which the globally familiar of race - vis-à-vis media accounts of systemic discrimination and popular resistances to them elsewhere--becomes a site of solidarity and creative production in Delhi, even as it also becomes a locus of fracture and impossibility"-- Provided by publisher.

Front cover of Black Diamond QueensMahon, Maureen. 2020. Black Diamond Queens : African American Women and Rock and Roll. Durham: Duke University Press. [ML3534.3 .M346 2020]

African American women have played a pivotal part in rock and roll--from laying its foundations and singing chart-topping hits to influencing some of the genre's most iconic acts. Despite this, Black women's importance to the music's history has been diminished by narratives of rock as a mostly white male enterprise. In Black Diamond Queens, Maureen Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll between the 1950s and the 1980s. Mahon details the musical contributions and cultural impact of Big Mama Thornton, LaVern Baker, Betty Davis, Tina Turner, Merry Clayton, Labelle, the Shirelles, and others, demonstrating how dominant views of gender, race, sexuality, and genre affected their careers. By uncovering this hidden history of Black women in rock and roll, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century.

Front cover of An Evolving TraditionThompson, Dave. 2023. An Evolving Tradition : the Child Ballads in Modern Folk and Rock Music. Essex, Connecticut: Backbeat Books. [ ML3545 .T56 2023X]

The Child Ballads are a series of over 300 traditional ballads from England and Scotland that, along with their American variants, were anthologized by folklorist Francis James Child in the nineteenth century. An Evolving Tradition is the story of the Child Ballads—the world’s best-known and most highly regarded repository of traditional English folk songs, and the wellspring for approximately 10,000 recordings over the last century, from obscure musicological archives to classic releases from Bob Dylan, Simon & Garfunkel, and Led Zeppelin. Drawing on interviews with numerous scholars and musicians, author Dave Thompson explains what a ballad is, outlines their dominant themes, and recounts how these ballads survived to become a mainstay of field recordings made by Cecil Sharp, Alan Lomax, and others as they traveled the English and American countryside in search of old songs. Thompson traverses the entire spectrum of rock, pop, folk, roots, experimental music, industrial, and goth to reveal the remarkable legacy and incalculable influence of the Child Ballads on all manner of modern music.

Front cover of Career Choices in Music Beyond the PandemicNagel, Julie Jaffee. 2023. Career Choices in Music Beyond the Pandemic : Musical and Psychological Perspectives. Lanham: Rowman & Littlefield. [ ML3830 .N3324 2023X]

Choosing a career is one of the most important decisions we make in our lifetime. Career choice is more than just working to earn a living but also an important window into how we feel about ourselves. In this groundbreaking and provocative book, musician and psychologist Julie Jaffee Nagel explores how musicians’ work beyond the COVID-19 pandemic casts a light upon the necessity of rethinking, rebuilding, and possibly redesigning our concept of careers and music education in the arts. The book takes an interdisciplinary approach to a wide range of pressing topics such as career disillusionment, mental health in relation to lack of professional and personal security, the unavailability of jobs that reflect the depth of the musician’s formal training and talent, and the healing role and value of musicians in a post-pandemic world. The pandemic was an unwelcome and sudden shock in the lives and careers of countless musicians, with many experiencing crises. Importantly, Nagel emphasizes that this trauma also has the potential to energize and expand horizons for rewarding, creative work. Musicians’ gifts include resilience and discipline, and their art has important social value. Music has the power to be an aural antidote to some of society’s ills—during trying times, it is vitally important to express and share the musician’s artistic imagination and creativity in teaching studios, on stage, and through off stage interactions with others.

Front cover of New Horizons in Schenkerian ResearchCadwallader, Allen Clayton, Karen M. Bottge, and Oliver Schwab-Felisch. 2022. New Horizons in Schenkerian Research. Hildesheim: Georg Olms Verlag. [ML423 .S326 N494 2022]

New Horizons in Schenkerian Research is a collection of essays representing an overview of scholarship in the work of Heinrich Schenker. The volume is diverse and includes the work of authors in the United States, Austria, and Germany. Current research involves four broad categories: Theory and Influence, Analysis, History and Reception, and Cultural Studies. This volume presents articles by senior scholars who have been involved in Schenker's work for decades. A unique feature of New Horizons is the inclusion of German-speaking authors. Although Schenker lived and worked in fin de siècle Vienna, the early dissemination of his ideas occurred in the United States in the 1930s and 1940s. More recently, scholars in Germany and Austria have contributed their own research to the canon of Schenker studies. This eclectic collection bears testimony to the enduring relevance of Schenker's ideas in music scholarship of the twentieth and twenty-first centuries.

Front cover of The Music for Victory at SeaFerencz, George Joseph. 2023. The Music for “Victory at Sea” : Richard Rodgers, Robert Russell Bennett, and the Making of a TV Masterpiece. Rochester, NY, USA: University of Rochester Press. [ML2080 .F47 2023X]

Victory at Sea, NBC-TV's innovative 1952-53 WWII documentary, was eventually broadcast to more than 100 million viewers worldwide. Its episodes chronicled the war's conflicts while highlighting the US Navy's contributions, NBC having sourced footage from the military, governments, and newsreel agencies of 14 nations. Victory's special distinction was its music, with each episode's nonstop score recorded by the acclaimed NBC Symphony Orchestra. The music was credited to Richard Rodgers--then at the height of his fame--as composer, and Robert Russell Bennett as arranger and conductor. In fact, Rodgers composed twelve piano themes; Bennett developed these endlessly for orchestra and, in addition, composed many hours of the score outright. Part One chronicles Victory's gestation and production at NBC, its reception, the series' afterlife in syndication and home video, and the score's "Gold Record" sales success on RCA records. Part Two examines each episode in turn, focusing on how the Bennett-scored music pairs with screen action. Every transformation of the much-used Rodgers themes is cited, along with the episodes' musical inter-relationships. The hundreds of musical examples generously sample the score's 11 and a half hours of music. NBC's Victory has been neglected by Richard Rodgers's biographers and by film historians. As the series celebrates its 70th anniversary, the Rodgers-Bennett score here finally receives recognition for its artistry and power.

Descriptions for each item provided by the publisher and/or from the catalogue description.

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Keep reading for the complete list of new scores, books, and eBooks, and CDs.

Scores

  • M24 .B115 S.806-811 2023 — Englische Suiten : BWV 806-811 = English suites : BWV 806-811 / Johann Sebastian Bach ; herausgegeben von = edited by Ullrich Scheideler ; Fingersatz von = fingering by Ekaterina Derzhavina.
  • M25 .V2 H8 2022 — The human progress : for piano / Natalya Vagner.
  • M42 .R658 op.30 nr.1-3 2022 — Drei Sonaten für Violine solo, op. 30, Nr. 1-3, (ARWV 120, 121 und 122) / Andreas Romberg ; vorgelegt von Klaus G. Werner.
  • M42 .S2632 op.64 2021 — 24 études caprices : op. 64 : solo violin = violon seul = Violine solo / Émile Sauret ; edited by = édition de = herausgegeben von Nazrin Rashidova
  • M48 .B33 BWV 1007-1012 2023 — Sechs Suiten für Violoncello solo, eingerichtet für Viola solo, BWV 1007-1012 = Six suites for violoncello solo, arranged for viola solo / J.S. Bach ; herausgegeben von = edited by Chung Park.
  • M214 .H432 A67 2022 — April evenings for black twins : sonata for two pianos : (2015) / Mikko Heiniö.
  • M217 .S76 2022 — Stringendo : aikamme musiikkia viululle ja pianolle = samtida verk för violin och piano = contemporary works for violin and piano.
  • M271 .R4 H458 2022 — 23 Anke-Variationen : für Block[f]löte und Klavier / Wolfgang Heisig.
  • M312 .B173 C6 2022 — Contrasts : for piano trio / David Baker.
  • M312 .B173 R6 2022 — Roots I : for piano trio / David Baker.
  • M312 .E23 E.152 2022 — Piano trio E. 152 : violin, violoncello and piano / Sophie-Carmen Eckhardt-Gramatte ; edited by Brian McDonagh.
  • M312 .M4474 T8 2022 — Klaviertrio a-Moll für Violine, Violoncello und Klavier / Emilie Mayer ; herausgegeben von / edited by Katharina Sellheim ; mit Unterstützung von / supported by Lucja Madziar und Johannes Krebs.
  • M312 .M4474 T82 2022 — Klaviertrio Es-Dur : für Violine, Violoncello und Klavier = for violin, violoncello and piano / Emilie Mayer ; herausgegeben von / edited by Katharina Sellheim ; mit Unterstützung von / supported by Lucja Madziar und Johannes Krebs.
  • M317 .S339 T8 2022 — Trio-Sonate für Oboe, Fagott und Klavier : (2022) / Thorsten Schmid-Kapfenburg.
  • M322 .A32 T7 2022 — Trio in D minor for clarinet, violin, and piano, 2011 / H. Leslie Adams.
  • M322 .Q3 QV 2:14 2021 — Trio sonata in D major (QV 2:14), for transverse flute, violin & basso continuo / Johann Joachim Quantz ; edited by Alejandro Garri.
  • M322 .Q3 QV 2:28 2022 — Trio sonata in G major, (QV 2:28), for transverse flute, violin & basso continuo / Johann Joachim Quantz ; edited by Alejandro Garri.
  • M351 .G73 W6 2022 — Wonderland : for string trio / José Luis Greco.
  • M351 .S813 T72 2022 — Six trio sonatas, op. 16, (nr. 3 & nr. 4), for 2 violins & violoncello / Carl Philipp Stamitz ; edited by Alejandro Garri.
  • M385 .K946 op.38 2022 — Trio no. 4 for flute, clarinet & accordion : optionally for two violins & accordion, for violin, clarinet & accordion, for flute, violin & accordion : (1994) / Timo-Juhani Kyllönen.
  • M412.4 .D86 C62 2022 — String concerto Nr. 2 in G minor, (I-catalogue number IFD 31), for strings & basso continuo / Francesco Durante ; edited by Alejandro Garri.
  • M452 .B9367 Q33 2022 — String quartet no. 3 : apocryphal dances : for baroque (or modern) string quartet / Kenji Bunch.
  • M452 .K6813 op.7 2022 — Streichquartett op. 7 (1930) / Ernst Gernot Klussmann ; herausgegeben von Carsten Bock.
  • M452 .L467 no.16 2022 — SQ16 ... Música callada / Thomas Oboe Lee.
  • M452 .N189 Q82 2023 — String quartet no. 2 / Frederick Paul Naftel.
  • M452 .P8897 N3 2022 — Negro folk songs in counterpoint : for string quartet / Florence B. Price.
  • M452 .V253 S77 2023 — StrAngE LoOpS : for string quartet / Jack Van Zandt.
  • M457.2 .L412 D29 2022 — A day at the spa : for saxophone quartet : (2015) / Oliver Leith.
  • M462 .D384 C9 2022 — Cuban dances : for flute, oboe, clarinet and cello / Odaline de la Martinez.
  • M512 .T263 Q8 2022 — Quintette pour quatuor à cordes & piano / Éric Tanguy.
  • M552 .D195 Q5 2022 — String quintet : ("A shattered vessel") : (2019) / Richard Danielpour.
  • M552 .M383 Q8 2022 — Quintett II D-Dur : für 2 Violinen, 2 Violen und Violoncello = for 2 violins, 2 violas and violoncello / Emilie Mayer ; herausgegeben von Barbara Gabler = edited by Barbara Gabler.
  • M552 .M383 Q82 2022 — Quintett d-moll : für 2 Violinen, 2 Violen und Violoncello = for 2 violins, 2 violas and violoncello / Emilie Mayer ; herausgegeben von Barbara Gabler = edited by Barbara Gabler.
  • M557 .E24 E.148 2023 — Wind quintet for flute, oboe, clarinet, F horn and bassoon, E. 148 / Sophie-Carmen Eckhardt-Gramatté ; edited by Brian McDonagh.
  • M557 .K1654 S87 2022 — Suite for Helena : for wind quintet (1994) / Lars Karlsson.
  • M557 .R157 Q8 2023 — Clarinet quintet / Imant Raminsh ; edited by Brian McDonagh.
  • M557 .T53 F36 2022 — Five fantasies on primary colors : for woodwind quintet / Frederick Tillis.
  • M562 .A484 S5 2012 — Shining gate of Morpheus : for horn and string quartet : (2012) / Eleanor Alberga.
  • M562 .R65 op.41 no.1 2023 — Flötenquintett e-Moll, op. 41, Nr. 1 (ARWV 146) / Andreas Romberg ; vorgelegt von Klaus G. Werner.
  • M562 .R65 op.41 no.2 2023 — Flötenquintett D-Dur op. 41, Nr. 2 (ARWV 147) / Andreas Romberg ; vorgelegt von Klaus G. Werner.
  • M562 .R65 op.41 no.3 2023 — Flötenquintett F-Dur op. 41, Nr. 3 (ARWV 148) / Andreas Romberg ; vorgelegt von Klaus G. Werner.
  • M562 .R65 Q82 2023 — Flötenquintett C-Dur WoO (ARWV 151) / Andreas und Bernhard Romberg ; vorgelegt von Klaus G. Werner.
  • M562 .R65 Q83 2023 — Flötenquintett D-Dur WoO (ARWV 150) / Andreas und Bernhard Romberg ; vorgelegt von Klaus G. Werner.
  • M585 .F458 S3 2022 — Shadows hold their breath : for flute, clarinet, violin, cello and percussion / Nirmali Fenn.
  • M647 .F85 C6 2022 — Corona morphs : for flute, clarinet in A, percussion, violin, violoncello and piano (2020) / Vivian Fung.
  • M685 .F88 C6 2022 — Corona morphs : for flute, clarinet in A, percussion, violin, violoncello and piano (2020) / Vivian Fung.
  • M759 .V53 C5 2022 — Círculos = (Circles) : flute ensemble / Andersen Viana.
  • M1001 .H17 op.100 2023 — Symphony, for orchestra, op. 100 (2018) / Kimmo Hakola.
  • M1001 .N585 G6 2023 — Gloria! : ein Sturm- und Sonnenlied : Symphonie in einem Satze für Grosses-Orchester, Orgel und (Schluss-) Chor : Werk 34 / von Jean Louis Nicodé.
  • M1001 .S584 T35 2022 — Tales: a folklore symphony : for orchestra (2021) / Carlos Simon.
  • M1002 .P87 op.24 2023 — Leben und Ideal : eine sinfonische Dichtung nach Schillerschen Worten : für grosses Orchester : op. 24 / komponiert von Max Puchat.
  • M1003 .F653 OP.55 2023 — Cyrano de Bergerac : op. 55 / Jos. B. Foerster.
  • M1003 .J453 S8 2023 — Tanz-suite in vier sätzen : für Orchester / Emile Jaques-Dalcroze.
  • M1003 .J96 V34 2023 — Vaegtervise = Wächterweise, op. 31 : fantasie nach dänischen Volksliedern / komponiert von Paul Juon.
  • M1003 .P828 J8 2023 — Juuret : Helsinki variations : (2020) / Seppo Pohjola.
  • M1004 .M3582 S5 2022 — Cuatro sinfonías = Four sinfonias / María Luisa de Borbón.
  • M1010 .M478 op.60 2023 — Sochinenii͡a dli͡a fortepiano s orkestrom. Kont͡sert no 3 / N. Metner.
  • M1012 .V77 op.5 2022 — Violinkonzert E-Dur, op. 5 = Violin concerto in E major, op. 5 / Henri Vieuxtemps ; herausgegeben von Olaf Adler = edited by Olaf Adler.
  • M1016 .A3 no.2 2023 — Cello concerto no. 2 (2013) / Kalevi Aho.
  • M1024 .H4523 op.136 2023 — Clarinet concerto op. 136 (2016) / Paavo Heininen.
  • M1040 .R26 J6 2023 — Joy of life : double concerto for violin, piano and chamber orchestra : (2020-21) / Iiro Rantala.
  • M1041 .A2 S5 2023 — Sinfonia concertante Nr. 1 B-Dur, WKO 42 : für Oboe, Violine, Violoncello und Orchester / Carl Friedrich Abel.
  • M1045 .C33 D35 2022 — Dance, song and celebration : homage to Xavier Montsalvatge / Benet Casablancas.
  • M1045 .G656 L32 2022 — La Charanga sinfonica : for full orchestra / Alice Gomez.
  • M1045 .H197 op.105 2023 — Wake! : op. 105 : Helsinki Variations for orchestra : (2021) / Kimmo Hakola.
  • M1045 .P9693 C3 2023 — Capriccio sinfonico : for orchestra / Giacomo Puccini.
  • M1101 .F3 FWV M:g1 2022 — Sinfonia in G minor (FaWV M:g1), for strings & basso continuo / Johann Fr. Fasch ; edited by Alejandro Garri.
  • M1114 .N48 H4 2022 — Heath : für Viola und Streichorchester, 2018 / Sergej Newski.
  • M1122 .H38 F maj. 2022 — Oboe concerto in F major (Grof 204) for oboe, 2 violins & basso continuo / Johann A. Hasse ; edited by Alejandro Garri
  • M1142 .T67 Op.6 no.1 2022 — Concerto in G major (op. 6, nr. 1), for strings & basso continuo / Giuseppe Torelli ; edited by Alejandro Garri.
  • M1500 .C52 M3 2023 — Médée : opéra en III actes / paroles d'Hoffmann ; musique de Cherubini
  • M1503 .M328 S6 2023 — Sobre el oceano: Zarzuela in three acts
  • M1529.3 .D693 M3 2023 — Man, woman, child : duet cycle for soprano, tenor and piano (2021) / Jonathan Dove ; texts by Judith Wright.
  • M1529.3 .D693 M3 2023b — Man, woman, child : duet cycle for mezzo-soprano, baritone and piano (2021) / Jonathan Dove ; texts by Judith Wright.
  • M1530 .B4 K36 2023 — Kantate auf die Erhebung Leopolds II. zur Kaiserwürde : WoO 88 / Ludwig van Beethoven.
  • M1530 .K79 M5 2023 — Migrations : cantata for mezzo soprano, male voice choir and orchestra : (2014) / Olli Kortekangas ; text: Sheila Packa.
  • M1538 .S75 S6 2023 — Songs of the sea : op. 91 / Henry Newbolt and C. Villiers Stanford.
  • M1547 .B25 C3 2022 — Válogatott gyermek- és egyneműkarok = Selected choral works for children's and upper voices / Balázs Árpád.
  • M1579 .B25 C3 2022 — Válogatott vegyeskarok = Selected choral works for mixed voices / Balázs Árpád.
  • M1613.3 .B336 T7 2023 — Tree carols : for baritone and string quartet / Sally Beamish ; text by Fiona Sampson.
  • M1613.3 .D16 T7 2022 — Traum-entelechiæ : The lips cycle #4 : pour mezzo-soprano, flûte alto, alto, harpe et électronique = for mezzo-soprano, alto flute, viola, harp and electronics / Daniel D'adamo.
  • M2003 .B11 A8 2023 — Die Auferstehung und Himmelfahrt Jesu = The Resurrection and Ascension of Jesus : BR-CPEB Ds 3, Wq 240 : per soli (STB), coro (SATB), 2 flauti, 2 oboi, fagotto, 3 trombe, 2 corni, timpani, 2 violini, viola e basso continuo / Carl Philipp Emanuel Bach ; herausgegeben von = edited by Ulrich Leisinger.
  • M2010 .B87 M52 2023 — Missa solemnis : WAB 29 : soli (SATB), coro (SATB), 2 oboi, 2 fagotti, 2 corni, 2 trombe, 3 tromboni, timpani, 2 violini, viola, violoncello, contrabbasso, organo / Anton Bruckner ; herausgegeben von = edited by Uwe Wolf.
  • M1824.A9 A93 2022 — Azärbaycan musiqisinin inciläri : Azärbaycan xalq vä bästäkar mahnıları / tärtibedän vä redaktoru: İmina Äliyeva = The pearls of Azerbaijani music, Azerbaijani folk and composer songs.

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Books

  • ML55 .K98 2022 — Hryhoriĭ Kytastyĭ : avtobiohrafii︠a︡, spohady, khudoz︠h︡ni tvory, statti / redahuvanni︠a︡, upori︠a︡dkuvanni︠a︡ Kulʹchynsʹkyĭ M. H.
  • ML74 .M884 2022 — Music in the disruptive era / edited by David Hurwitz and Pedro Ordóñez Eslava.
  • ML172 .M79 2022 — The museum of Renaissance music : a history in 100 exhibits / edited by Vincenzo Borghetti & Tim Shephard.
  • ML178 .K83 2023Y — Medieval laments of the Virgin Mary : text, music, performance, and genre liminality / by Eliška Kubartová Poláčková.
  • ML275.5 .B7613 2023X — Beethoven in the bunker : musicians under the Nazi regime / Fred Brouwers ; translated from the Dutch by Eileen J. Stevens.
  • ML297.4 .P65 2022 — Polsko-rosyjskie spotkania w przestzenii kultury muzycznej : XIX wiek i początek XX stulecia : studia, szkice i materiały / pod redakcją Renaty Suchowiejko.
  • ML314 .S76 2023X — Dissonant landscapes : music, nature, and the performance of Iceland / Tore Størvold.
  • ML338.4 .W55 2023X — The scattered court : Hindustani music in colonial Bengal / Richard David Williams.
  • ML385 .B57 2023Y — Hidden harmonies : women and music in popular entertainment / edited by Paula J. Bishop and Kendra Preston Leonard.
  • ML410 .B8505 B55 2023X — Dora Bright : her life and works in the public eye / Anthony Bilton.
  • ML410 .C4 A36 2022 — Petr Chaĭkovskiĭ : neugomonnyĭ fatum / Ada Aĭnbinder.
  • ML410 .C734 F75 2022 — Who by fire : Leonard Cohen in the Sinai / Matti Friedman.
  • ML410 .M4959 P67 2022 — Mil léguas a oeste da carantonha : vozes sertânicas / Fernando Marvitor Duque Portela.
  • ML417 .L6446 A3 2023Y — House concert / Igor Levit, Florian Zinnecker ; translated by Shaun Whiteside.
  • ML420 .D98 B29 2023X — Bob Dylan and the spheres of existence / Christopher B. Barnett.
  • ML421 .P6 K58 2023X — Lunacy : the curious phenomenon of Pink Floyd's Dark side of the moon, 50 years on / John Kruth.
  • ML422 .F67 D95 2022 — Dukhovnoe zaveshchanie podvizai︠u︡shchimsi︠a︡ na nive bogosluzhebnogo penii︠a︡ v Rossii / Protoiereĭ Mikhail Fortunato ; izdanie podgotovili N.G. Denisov, N.V. Balueva, M. Leshchinʹski.
  • ML1015 .G9 S652 2023X — Cool wooden box : transformation of the American acoustic guitar / W. Rand Smith.
  • ML1092 .E46 2022 — Electronic musical instruments in collection context / edited by Benedikt Brilmayer.
  • ML3470 .R48 2023Y — Holding the note : profiles in popular music / David Remnick.
  • ML3508.8 .K37 C43 2023X — Kansas City jazz : a little evil will do you good / Con Chapman.
  • ML3531 .W548 2023X — Welcome 2 Houston : hip hop heritage in Hustle Town / Langston Collin Wilkins.
  • ML3534.3 .P39 2023Y — Where are your boys tonight? : the oral history of emo's mainstream explosion 1999-2008 / Chris Payne.
  • ML3556 .M873 2023Y — Musical crossroads : stories behind the objects of African American music / edited by Dwandalyn R. Reece ; essays by Dwandalyn R. Reece ; profiles and stories by Timothy Anne Burnside [and eleven others].
  • ML3774 .M87 2022X — Music, dance and the archive / edited by Amanda Harris, Linda Barwick and Jakelin Troy.
  • ML3776 .E97 2023Y — Sing, memory : the remarkable story of the man who saved the music of the Nazi camps / Makana Eyre.
  • ML3798 .I65 2023X — Intimate entanglements in the ethnography of performance : race, gender, vulnerability / edited by Sidra Lawrence and Michelle Kisliuk.
  • ML3800 .M39 2023Y — The science of music : how technology has shaped the evolution of an artform / Andrew May.
  • ML3805 .M875 2022 — Music and science from Leonardo to Galileo / edited by Rudolf Rasch.
  • ML3838 .T38 2022Y — Extreme music : from silence to noise and everything in between / by Michael Tau.
  • ML3916 .M87 2022Y — Music and digital media : a planetary anthropology / edited by Georgina Born.
  • MT1 .R513 2022X — Revolutions in music education : historical and social explorations / edited by Andrew Sutherland, Jane Southcott and Leon de Bruin.

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eBooks

CDs

  • CD 32766 — Thelonious Monk : un accompagnateur hors norme.
  • CD 32767 — Art Pepper : l'élégance d'un mauvais garçon.
  • CD 32768 — Summertime : l'été jazz. Épisode 1.
  • CD 32803 — Summertime : l'éte jazz. Épisode 2 / [George Gershwin].
  • CD 32805 — Les as de la batterie moderne : cinq fabuleux solos.
  • CD 32806 — Quatre pianistes pour Coltrane.
  • CD 32844 — Slide Hampton : la coulisse et la plume.
  • CD 33728 — Donald Fagen : ses héros au piano.

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