Check out the latest titles at the Music Library, including scores, books, eBooks, and CDs. Keep reading and drop by the library to browse some new additions to our shelves since our last post on March 17.
Weekly highlights
Minton, John. 2024. Folk Music and Song in the WPA Ex-Slave Narratives. Jackson: University Press of Mississippi. [ML3556 .M57 2024X]
Between 1937 and 1940 fieldworkers in the Works Progress Administration's Federal Writers' Project interviewed around 3,500 formerly enslaved people in North America, resulting in roughly 20,000 pages of still unedited and inadequately indexed typescript. These accounts-the WPA ex-slave narratives-are the most substantial collection by far of folklore and oral history gathered directly from enslaved people in America. It is arguably the single greatest body of African American folklore extant, and a significant portion is devoted to folk music and song. This book considers this treasure trove in all its relevant social, cultural, and historical contexts. Nineteenth-century Black folk music developed against the backdrop of North American slavery, the American Civil War, Emancipation, the Federal occupation of the South, and a successful white supremacist paramilitary and political insurgency that led to Federal withdrawal, officially sanctioned racial terror, and Southern apartheid. The WPA ex-slave narratives describe that history in remarkable detail. Despite their inestimable value, most of the ex-slave narratives remained unpublished until the late 1970s, being almost unknown except to folklorists. Even after publication, the collection's sheer size was a barrier. Quoting extensively from the narratives and exhaustively annotated and indexed, this volume provides readers with detailed explanations and full references for every musical item or tradition featured in the ex-slave narratives. John Minton covers instrumental music and social dancing, spirituals and hymns, singing games and lullabies, ring plays and reels, worksongs, minstrel songs, ballads, war songs, slavery laments, and much, much more. Written for both specialists and general readers, with 134 illustrations, the book also offers a general overview of the ex-slave narratives, their contents, creation, and relation to the field of African American folklore as a whole.
Piana, Romain. 2024. La revue théâtrale de fin d’année en France au XIXe siècle : un spectacle de l’ère médiatique. Paris: Hermann. [ML1727.4 .P53 2024Y]
La revue est un genre comique, satirique et musical, né au début du XIXe siècle, qui connaît un développement et un succès grandissants. Elle présente aux spectateurs des théâtres de genre, aux alentours des étrennes, un défilé rétrospectif et allégorique, en chansons, des actualités de l'année écoulée, sous la conduite de personnages-types, le compère et la commère. Proche de la féerie, la revue fait appel au spectaculaire de la mise en scène et de la chorégraphie, et à la séduction de son personnel féminin, qui constitue une grande part de son attrait. Représentation sociologique directe de l'esprit du XIXe siècle, le genre renseigne sur les émotions et les engouements des Parisiens ; il est surtout le reflet de l'univers de la presse, dont les auteurs s'inspirent, y trouvant la matière d'actualité mais aussi un réservoir d'images et de formes. Véritable spectacle de l'ère médiatique, la revue préfigure nombre de divertissements du XXe siècle : music-hall, cabaret mais également variétés télévisuelles.
Adorno, Theodor W. 2025. Lectures 1949-1968. Volume 1, Music, Literature and the Arts. Edited by Michael Schwarz. Translated by Nicholas Walker. Cambridge: Polity Press. [ML423 .A33 V6713 2025Y]
When Theodor W. Adorno returned to Germany from his exile in the United States, he was appointed as a lecturer and researcher at the University of Frankfurt and he immediately made a name for himself as a leading public intellectual. Adorno's widespread influence on the postwar debates was due in part to the public lectures he gave outside of the university in which he analysed and commented on social, cultural and political developments of the time.This first volume brings together Adorno's lectures given between 1949 and 1968 on music, literature and the arts. With an engaging and improvisational style, Adorno spoke with compelling enthusiasm on subjects as diverse as Marcel Proust's prose, Richard Strauss's composition technique and Arnold Schoenberg's Pierrot lunaire. Germany, restoring its social and intellectual institutions, needed to embrace the new music and writers who had been neglected, particularly with regards to Proust. To rebuild was taken to mean rediscovery, but Adorno also nurtured a vision of tradition which - far from being unthinkingly conservative - would attest to society's honestly-appraised relationship to the past while it underwent the process of modernization. The volume illustrates Adorno's deep commitment to holding contemporary music and culture to standards commensurate with the aspirations of a modern world emerging from the horrors of war. This volume of his lectures is a unique document of Adorno's startling ability to bring critical theory into dialogue with the times in which he lived. It will be of great value to anyone interested in the work of Adorno and critical theory, in German intellectual and cultural history and in the history of modern music and the arts.
Wagner, Minna, and Cäcilie Avenarius. 2021. Und über allem schwebt Richard : Minna Wagner und Cäcilie Avenarius : zwei Schwägerinnen im Briefwechsel. Edited by Martin Geck. Hildesheim: Georg Olms Verlag. [ML429 .W1345 A4 2021X]
Zwei Schwägerinnen im Briefwechsel: Minna Wagner (1809–1866) und Cäcilie Avenarius (1815–1893). Da eine die Gattin des Komponisten, die andere seine Halbschwester war, nimmt es nicht Wunder, dass sich dieser Briefwechsel weitgehend um den Mann dreht, dem sich die Gattin trotz starker Verletzungen lebenslang verbunden fühlte, dem auch die Halbschwester im Wesentlichen die Treue hielt – ungeachtet ihres Widerwillens gegen Wagners private Eskapaden und ihrer Sympathie für die Schwägerin. Der Briefwechsel wird nicht nur innerhalb der engeren Wagner-Biografik auf Interesse stoßen, sondern auch bei interessierten Wagnerianern, die Leben und Schaffen des ›Meisters‹ für den Zeitraum von sieben Jahren aus dem Blickwinkel zweier ihm nahestehender Frauen betrachten wollen.
Mendenhall, Margaret Ann. 2025. Vox Eurydice : The Ascent of the Female Rescuer in German-Language Opera. Lanham: Lexington Books. [ML1700 .M43 2025X]
Vox Eurydice: The Ascent of the Female Rescuer in German-Language Opera is a mythological and depth psychological analysis written from a feminist perspective, on the emergence of the theme of rescue stories, and specifically plots where a female heroine saves a male character, which arose in German-language opera during the roughly one hundred years that spanned the lifetimes of Wolfgang Amadeus Mozart, Ludwig van Beethoven and Richard Wagner. Margaret Ann Mendenhall argues that the German-language works of these three musical giants grew out of the rescue story paradigm, as an extension of Italian opera buffa and French opéra comique. This is reflected in Mozart’s Singspiele and Beethoven’s one completed opera, Fidelio, considered the epitome of the German-language rescue opera. The author then examines Wagner’s oeuvre, not only his ten mature masterpieces, but also three earlier operas and his unfinished pieces. The author also posits that the need for the ascent of the female rescuer in German-language opera was unconsciously tied into the desire of the people of the German-speaking territories for a homeland, and how the presence of this archetype subsided soon after a German nation was established in 1871.
Le Gendre, Kevin. 2024. Children of the Ghetto : Black Music in Britain. Volume 2. Leeds: Peepal Tree. [ML3492 .L44 2024Y]
Volume 2, Children of the Ghetto, covers the period from the late 1960s through to the end of the 1980s, explores the points of transition from the playing of Black musics in Britain that originated elsewhere to the emergence of an indigenously Black British music that responded to the situation of being born, or at least growing up in Britain, of the experience of the virulent racism in schools and in the wider society when, after Enoch Powell’s ‘rivers of blood’ speech, dockers marches and the regrouping of racist and fascist organisations, both white xenophobes and Black settlers realised the latter were here to stay. Le Gendre sees the emergence of the ‘homegrown’ in the blending of Caribbean rhythms, R&B and pop in the songs of The Equals (and the solo work of Eddy Grant), the jazz-blues-rock concoctions of C.C.S and the unique ‘Zion funk’ of Cymande. Also exciting is the British take on West African music offered by Osibisa, as well as the wide range of British reggae covered by Dennis Bovell, Linton Kwesi Johnson, Steel Pulse, Misty In Roots, Aswad and the great Lovers Rock queens, Louisa Marks ad Janet Kay. Then there is the experimental music of racially mixed groups such as Rip, Rig & Panic and I-Level. As for Joan Armatrading and Linda Lewis they made their mark by blending soul, folk and pop, while in jazz South Africans such as Julian Bahula and the Londoner of Jamaican descent, Courtney Pine also ushered in change. Furthermore, the book considers the impact of gatekeepers such as the BBC on Black musics as well as the opportunities and limitations offered by clubs and other venues. Above all, there is a detailed examination of why the songs of the aforementioned artists still resonate today, and an insight into the strong political statements of African and Caribbean lyric writers who spoke for their peers up and down the country, letting the world know that the children of the ghetto were coming of age.
König, Karl. 2024. Music Therapy : Research and Insights. Edited by Katarina Seeherr. Edinburgh: Floris Books. [ML3920 .K66 2024Y]
Music therapy helps to support individuals' mental and emotional lives through therapeutic exercises that utilize a variety of musical elements. Drawing on the work of Rudolf Steiner, Karl König, a pioneer of various forms of therapy within the Camphill movement, developed the basics of an anthroposophical music therapy, focusing on the fundamentals of music and how they connect to human beings. This fascinating book brings together König's lectures, essays and notes on music therapy, most of which have never before been published. In them he explores areas such as studies on hearing, the nature of musical experience, and the role of music in Camphill and music therapy for those with impaired hearing. Alongside the original writings, an in-depth introduction by music therapist Katarina Seeherr explores the evolution of König's ideas relating to music and music therapy and how he inspired many musicians and therapists to develop this form of therapy.
Dozena, Alessandro. 2024. Geografias sonoras. Rio de Janeiro: Mórula. [ML3917 .B6 D694 2024]
Como pensar as relações entre territórios e musicalidades? De que maneiras, imersos em rituais coletivos que criam incessantemente modos de vida, construímos identidades a partir de uma encruzilhada em que o ser individual e a experiência da alteridade — o estar com o outro – se entrelaçam de forma a construir sentidos para a existência? A música aqui se apresenta como um fato social completo de múltiplas implicações: corporais, sensoriais, políticas, identitárias, espirituais, e em constante relação com a territorialidade. Neste sentido, a geografia vai cerzindo essa multiplicidade a partir da nítida relação de afeto que Alessandro Dozena, professor da Universidade Federal do Rio Grande do Norte, estabelece com aquilo que estuda: o armorial sertanejo, as falas diversas do tambor, os sambas, as conexões identitárias que a música produzida no Brasil estabelece com certo imaginário de pertencimento ao país. Mais do que isso, os artigos que compõem este livro se inscrevem em uma dimensão pedagógica de alcance fundamental. O autor escapa das armadilhas que encaram o território de forma amorfa, sem considerar as práticas diversas de mulheres, homens e crianças que acabam construindo o sentido mesmo do que é pertencer ao chão. Mais do que apenas visto, o mundo que Dozena apresenta é ampliado: ele é também escutado, cantado, dançado, praticado de forma tensa e intensa, numa dimensão festeira que dá sentido de permanência à aventura provisória de invenção da vida.
Jackson, Maurice. 2024. Rhythms of Resistance and Resilience : How Black Washingtonians Used Music and Sports in the Fight for Equality. Washington, DC: Georgetown University Press. [ML200.8 .W3 J33 2024X]
In the nation's capital, music and sports have always played a central role in the lives of African Americans and have often served as a barometer for social conflict and social progress. Sports clubs and ball games, jam sessions and concerts, have served to entertain and to enlighten; to encourage, and to at times offer a means of escape from the harsh realities of everyday life. Along the way many Black people have used their skills and their determination to learn and develop their crafts in music and sports to earn meaningful careers by using their creative genius to improve their lot, to cope with day to day racism, to be a credit to their communities, and to bring joy to those who watched them perform their craft. In this book Maurice Jackson tells the story of these musicians and athletes. He begins with pioneers such as Will Marion Cook, who formed the first musicians' union in the city and fought as a member of the Harlem Hellfighters in World War I. Jackson takes the story down to giants of the twentieth century like John Thompson, Jr. After winning the NCAA basketball championship as coach of the Georgetown Hoyas, Thompson said, "I'm not interested in being the first or only black coach to do anything, because that implies that I'm also the first with the ability." Jackson shows that Thompson stands in a long line of Black athletes and musicians who found in sports and music spaces to combat racial prejudice and bring people in the District together.
Miller, Douglas K. 2025. Washita Love Child : The Rise of Indigenous Rock Star Jesse Ed Davis. New York: Liveright Publishing Corporation. [ML419 .D389 M55 2025Y]
No one played like Jesse Ed Davis. One of the most sought-after guitarists of the late 1960s and '70s, Davis appeared alongside the era's greatest stars--John Lennon and Mick Jagger, B.B. King and Bob Dylan--and contributed to dozens of major releases, including numerous top-ten albums and singles, and records by artists as distinct as Johnny Cash, Taj Mahal, and Cher. But Davis, whose name has nearly disappeared from the annals of rock and roll history, was more than just the most versatile session guitarist of the decade. A multitalented musician who paired bright flourishes with soulful melodies, Davis transformed our idea of what rock music could be and, crucially, who could make it. At a time when few other Indigenous artists appeared on concert stages, radio waves, or record store walls, in a century often depicted as a period of decline for Native Americans, Davis and his Kiowa, Comanche, Cheyenne, Seminole, and Mvskoke relatives demonstrated new possibilities for Native people. Weaving together more than a hundred interviews with Davis's bandmates, family members, friends, and peers--among them Jackson Browne, Bonnie Raitt, and Robbie Robertson--Washita Love Child powerfully reconstructs Davis's extraordinary life and career, taking us from his childhood in Oklahoma to his first major gig backing rockabilly star Conway Twitty, and from his dramatic performance at George Harrison's 1971 Concert for Bangladesh to his years with John Trudell and the Grafitti Man band. In Davis's story, a post-Beatles Lennon especially emerges as a kindred soul and creative partner. Yet Davis never fully recovered from Lennon's sudden passing, meeting his own tragic demise just eight years later. With a foreword by former poet laureate Joy Harjo, who collaborated with Davis near the end of his life, Washita Love Child thoroughly and finally restores the "red dirt boogie brother" to his rightful place in rock history, cementing his legacy for generations to come.
Descriptions for each item provided by the publisher and/or from the catalogue description.
Keep reading for the complete list of new scores, books, and eBooks, and CDs.
Scores
- M7 .O6456 1994 — Il distinto organista : 15 suonate per gli organi moderni con organo d'eco o di risposta e pedaliera cromatica. Volume 1 (sonate 1-5) / Girolamo Barbieri.
- M7 .O6456 1994 — Te Deum laudamus : op. 28 : per organo e orchestra d'archi / Giovanni Sgambati ; a cura di Maurizio Machella.
- M8 .M374 op.36 2024 — Sonata in Re minore per organo pieno / Giuseppe Martucci ; edizione a cura di Maurizio Machella.
- M11 .C293 S6 2024 — Sonate d'organo e una pastorale : 1792 / Gian-Domenico Cattenacci ; edizione a cura di Maurizio Machella.
- M11 .G72 C3 2024 — Choralbüchlein für Orgel / Lothar Graap.
- M13 .T45 C6 2024 — Due concerti per organo o clavicembalo solo da manoscritti del XVIII secolo / G.P. Telemann ; edizione a cura di Maurizio Machella.
- M22 .W57 P4 2024 — Le petite prince : miniatures poetiques pour piano à quatre mains = Der kleine Prinz:poetische Miniaturen für Klavier zu vier HändenThe little prince:poetic miniatures for piano due / Peter Wittrich ; d'apres Antoine de Saint-Exupery.
- M25 .G34 P6 2024 — Pour un rag-time englouti : per pianoforte (1982) / Armando Gentilucci.
- M25 .Z513 V6 2024 — Voces abandonadas : (Antonio Porchia) : para piano, prima serie 2005, segunda serie 2006 / Walter Zimmermann.
- M38.5 .S39 S3 2024 — Ständchen ("Leise flehen meine Lieder") : Bearbeitung für Klavier = Serenade ("Leise flehen meine Lieder") : arrangement for piano / Franz Schubert ; Franz Liszt ; herausgegeben von Andrea Lindmayr-Brandl = edited by Andrea Lindmayr-Brandl ; Fingersatz von Evgeny Kissin = fingering by Evgeny Kissin.
- M47 .A457 S8 2024 — Sul : für Viola solo : (2024) / Irini Amargianaki.
- M117 .S66 op.35 2024 — Fantasie in c-Moll für Harfe = Fantasia in C minor for harp / Spohr ; herausgegeben von Masumi Nagasawa = edited by Masumi Nagasawa.
- M126 .C38 G7 2023 — Grand recueil pour la guitare, Op. 114. Vol. 2 / Ferdinando Carulli ; edited and fingered by Romolo Calandruccio.
- M127 .S4782 G7 2024 — Il grande larice rosso : 3 pieces for guitar = The great red larch / Giorgio Signorile.
- M127 .J436 C3 2024 — Due cartoline milanesi / Nicola Jappelli.
- M127 .P64 P77 2024 — 24 preludes for guitar / Manuel María Ponce ; edited and fingered by Andrea de Vitis, Riccardo del Prete.
- M128 .A7841 2024 — The art of the galliard : 13 lute galliards / transcribed for guitar by John W. Duarte ; additional fingering and editing by Alan Rinehart.
- M128 .A7842 2024 — The art of the fantasia : 19 lute fantasias / transcribed for guitar by John W. Duarte ; additional fingering and editing by Alan Rinehart.
- M128 .R54 N4 S9 — 3 lute suites / Esaias Reusner ; transcribed for guitar by John W. Duarte ; additional fingering and editing by Alan Rinehart.
- M128 .A624 2024 — Anthology of French Renaissance music for guitar : with historical and performance notes / transcription by Paolo Cherici.
- M128 .A626 2024 — Anthology of Italian Renaissance music for guitar : with historical and performance notes / transcription by Paolo Cherici.
- M129 .D82 op.148 2024 — Round 0 : variations on a theme of Henry Purcell : op. 148 : for guitar / John W. Duarte ; edited and fingered by Charles Mokotoff.
- M129 .B23 S. 995 2024 — Complete works for lute. Vol. 1 - Suite BWV 995 / Johann Sebastian Bach ; transcribed for guitar by Walter Zanetti.
- M204 .S38 D.940 2024 — Fantasie f-Moll für Klavier zu vier Händen, op. 103 - D 940 = Fantasy in F minor for piano four-hands, op. 103 - D 940 / Schubert ; herausgegeben von = edited by Walburga Litschauer ; durchgesehen von = reviewed by Wolfgang Thein.
- M219 .S6416 S6 2024 — Six solos (sonatas) for flute or violin and basso continuo (1752). Volume 2, Sonatas 4-6 / Benjamin Skinner ; edited by Michael Talbot.
- M219 .V567 op.8 2024 — Sonata, op. 8 : for violin and piano (1942-1943) / Jane Vignery.
- M221 .P755 op.35 2024 — Fünf Melodien Opus 35a für Violine und Klavier = Five melodies op. 35a for violin and piano / Sergej Prokofjew ; herausgegeben von Fabian Czolbe = edited by Fabian Czolbe ; Vorwort von Simon Morrison = preface by Simon Morrison ; Fingersatz der Klavierstimme von Michael Korstick = fingering of piano part by Michael Korstick ; mit zusätzlicher bezeichneter Violinstimme von Thomas Albertus Irnberger = with supplementary violin part marked by Thomas Albertus Irnberger.
- M242 .H826 op.11 2024 — La forza del destino : capriccio elegante per flauto con accomp.to di pianoforte, op. 11 / Luigi Hugues ; edited by Ugo Piovano.
- M242 .H826 op.10 2024 — Marta : fantasia brillante per flauto con accomp.to di pianoforte, op. 10 / Luigi Hugues ; edited by Ugo Piovano.
- M242 .H826 op.4 2024 — Il gondoliero : capriccio originale per flauto con accomp.to di pianoforte, op. 4 / Luigi Hugues
- M254 .H4912 op.114 no.4 2024 — Sonate für Fagott und Klavier, op. 114, 4 : (2020) / Stefan Heucke.
- M271 .E5 M67 2024 — Scherzo sopra motivi dell'opera I Lombardi di G. Verdi : per corno inglese e pianoforte / Giacomo Mori.
- M271 .E5 S24 2024 — Capriccio per pianoforte e corno inglese o violoncello / Luigi Savi.
- M286 .A08 S6 2024 — Six sonatas for two unaccompanied violins (1772) / John Addison ; edited by Michael Talbot.
- M292 .S33 S55 2024 — 4 sonatas (K. 9, K. 432, K. 466, K. 159), for 2 guitars / Domenico Scarlatti ; transcription and fingering by Giovanni Masi and Lucio Matarazzo.
- M293 .D82 G9 2024 — 3 character pieces : for 2 guitars / John W. Duarte.
- M317 .S875 N6 2024 — Now for something different : bright music for dark times : für Flöte, Fagott und Klavier = for flute, bassoon and piano / Johannes Maria Staud.
- M317 .G732 T7312 2024 — Trio sonata in E major, op. 1 no. 4 (Graun WV Bv:XV:6) : two flutes and basso continuo / Carl Heinrich Graun ; edited by Michael Elphinstone
- M322 .C786 op.55 no.1 2024 — Terzetto n° 1, op. 55 per piano forte, flauto e violoncello : pensieri di Bellini / Gaetano Corticelli
- M322 .C786 op.55 no.2 2024 — Terzetto n° 2 op. 55 per piano forte, flauto e violoncello : pensieri di Bellini / Gaetano Corticelli
- M385 .D34 V4 2024 — Veiled bamboo, swift water...boundless : for microtonal alto flute, contrabass clarinet and live electronics : 2021 / Stephen Davismoon.
- M422 .T66 S6 no.2 2024 — Sonata fantastica no. 2 : per pianoforte, flauto, violino e violoncello / Pietro Tonassi ; edizione moderna a cura di Gabriele Mendolicchio.
- M422 .T66 S6 no.1 2024 — Sonata fantastica no. 1 : per pianoforte, flauto, violino e violoncello concertanti / Pietro Tonassi ; edizione moderna a cura di Gabriele Mendolicchio.
- M452 .L725 S7 2024 — String creatures : for violin (with low octave string), violin, viola, cello : 2022 / Liza Lim.
- M452 .G415 S7 2024 — Stock footage piece 1: business : for string quartet and video : (2019) / Malte Giesen.
- M467 .K58 R4 2024 — The replication crisis : for electric guitar quartet : (2021/2022) / Yair Klartag ; edited by the Cologne Guitar Quartet.
- M469 .G73 V3 2024 — Valses poéticos : for guitar ensemble / Enrique Granados ; transcription by Alessandro Borin ; fingering by Alessandra Lucchi.
- M622 .I73 E8 2024 — Due espressioni : for ensemble (fl, cl, vln, vla, vc, pno) : (2023) / Gabriel Iranyi.
- M1001 .S778 op.5 no.1 2024 — The periodical overture in 8 parts. No. 6 / Johann Stamitz.
- M1002 .G715 D3 2024 — Dante : poëme symphonique pour orchestre : op. 21 / Enrique Granados.
- M1002 .S229 T6 2024 — Traum und Wirklichkeit : Tondichtung für Orchester : Op. 92 / von Philipp Scharwenka.
- M1003 .W65 op.41 2024 — Suite romantique : pour orchestre, op. 41 / par Joseph Wieniawski.
- M1003 .P89 OP.81B 2024 — Semën Kotko : si︢u︣ita dli︠a︡ simfonicheskogo orkestra = Semyon Kotko : suite for symphony orchestra : op. 81bis / Sergeĭ Prokofʹev.
- M1003 .A3422 B4 2024 — Het beestenspel : suite voor orkest : met radio-aanpassing = La parade des animaux savants : suite d'orchestre : avec adaptation radiophonique / Karel Albert ; nederlandsche tekst van Arm. Suls ; texte francais de Theo Fleischman.
- M1003 .S676 op.42 2024 — Divertissement pour grand orchestre, op. 42 / Nicolas Sokolow.
- M1004 .N9 K6 2024 — Korsár = Le corsaire / Vítězslav Novák.
- M1004 .G553 op.73 2024 — Ouverture solennelle : pour grand orchestre : op. 73 / par Alexandre Glazounow.
- M1010 .S327 op.41 2024 — Natten : op. 41 = The night : (OM116) / Poul Schierbeck.
- M1010 .G565 op.100 2024 — Deuxième concerto pour piano avec orchestre , en si majeur, op. 100 / Alexandre Glazounow.
- M1012 .D155 op. 29 2024 — Concerto en si mineur (H moll), pour violon avec accompagnement d'orchestre ou de piano, op. 29 / par A. d'Ambrosio.
- M1018 .S87 B8 2024 — Burleske : für Kontrabass und Orchester = Burlesque : for double bass and orchestra : (1974) / Allan Stephenson.
- M1037.4 .G8 D812 2024 — A Tudor fancy : op. 50 : for guitar and orchestra / John W. Duarte.
- M1040.5 .H65 G4 2024 — Gesammelte Kadenzen, Eingänge und Auszierungen zu Oboenkonzerten aus Barock und Klassik. Band II, Doppelkonzerte : (1957-2021) = Collected cadenzas, entrances and embellishments for oboe concertos of the baroque and classical era. Volume II, Double concertos : (1957-2021) / Heinz Holliger.
- M1045 .R8968 S4 2024 — Serenade nr. 1, op. 20 : for orchestra (1872) / Ernst Rudorff.
- M1045 .G55 op.99 2024 — Karelische legende, op. 99 : pour orchestre (1916) / Aleksandr Konstantinovich Glazunov.
- M1060 .S43 C3 2024 — Carnaval : Op. 9 (1829-34) / Robert Schumann ; orchestriert von Maurice Ravel (1914).
- M1103 .T49 op.44 2024 — Serenade for string orchestra, op. 44 (ca. 1885) / Ferdinand Thieriot.
- M1111 .B2 BWV 1055 2024 — Cembalokonzert Nr. 4 A-Dur = Harpsichord concerto no. 4 in A major : BWV 1055 / Johann Sebastian Bach ; herausgegeben von Maren Minuth, Norbert Müllemann = edited by Maren Minuth, Norbert Müllemann ; Klavierauszug von Johannes Umbreit = piano reduction by Johannes Umbreit ; Fingersatz von Michael Schneidt = fingering by Michael Schneidt.
- M1500 .V48 A8 2024 — Attila : Dramma lirico in un prologo e tre atti / poesia di Temistocle Solera ; musica di Giuseppe Verdi.
- M1503 .E664 T7 2024 — Tri sestry = Drei Schwestern : Oper in drei Sequenzen : 1997 / Peter Eötvös ; Libretto von Claus H. Henneberg und Peter Eötvös nach Anton Čechov.
- M1505 .C85 K388 2024 — Danses circassiennes de l'opéra Le Prisonnier du Caucase / musique de C. Cui.
- M1505 .R782 F424 2024 — Balletmusik und Hochzeitszug : für Orchester : aus der Oper Feramors / von Ant. Rubinstein.
- M1530 .S07 O4 2024 — Oltra mar : seven preludes for the new millennium : for orchestra and choir : (1998-99) / Kaija Saariaho.
- M1533 .S11 O4 2024 — Oltra Mar : seven preludes for the new millennium : for orchestra and choir : (1998-99) / Kaija Saariaho.
- M1533.3 .S37 E58 2022 — Ente und Wolf : die Geschichte einer unmöglichen Freundschaft : nach einem Libretto von Alexander Jansen : für Erzähler:in und Klavier = the story of an impossible friendship : based on a libretto by Alexander Jansen : for narrator and piano (2022) / Anno Schreier.
- M1538 .B97 M23 2024 — Madrelingua : rappresentazione sinfonica : per coro maschile, arpa obbligata e orchestra : (1994) / Sylvano Bussotti.
- M1613.3 .F515 K4 2024 — Kennst du das Land? : for voice & chamber orchestra : (2011) / Karl Fiorini.
- M1615 .R45 M8 2024 — 12 Orchesterlieder : instrumentiert von Max Reger (1913-1915) / Max Reger.
- M1621 .S36 op.6 2024 — Acht Lieder für eine Singstimme und Klavier op. 6 (1905) / Arnold Schönberg.
- M1621 .L8744 L6 2024 — Lorelei - Gestrandet : auf Texte von Clemens Brentano, Dagmar Nick, Rose Ausländer, Heinrich Heine : für tiefe Stimme und Klavier = : for low voice and piano / Camille van Lunen.
- M1623 .S37 S6 2024 — 10 songs / Franz Schubert ; arranged for high voice and guitar by John W. Duarte.
- M1624 .B36 S6 2024 — Chamber arias : for voice and guitar / Vincenzo Bellini ; transcription and fingering by Mario Martino.
- M2013 .B67 V6 2024 — Oeuvres vocales religieuses en 5 volumes. Vol. 3, Messes pour choeur à quatre voix mixtes a cappella / Mel Bonis ; Christine Géliot, Éditrice.
- M2018 .B812 R4 2024 — Requiem / Courtney Bryan.
- M2020 .S86 L37 2024 — Lasset uns zu ihm hinaus gehen : Kantate für Soli (AB), Chor (SATB), Oboe, zwei Violinen, Viola, Viola da gamba und Basso continuo / Gottfried Heinrich Stölzel.
- M2020 .S86 W46 2024 — Wenn ihr alles getan habt : Kantate für Soli (AB), Chor (SATB), Oboe, zwei Violinen, Viola und Basso continuo / Gottfried Heinrich Stölzel.
- M2020 .S86 H33 2024 — Habt ihr nicht gesehen, den meine Seele liebet? : Kantate für Soli (ST), Chor (SATB), zwei Violinen, Viola und Basso continuo / Gottfried Heinrich Stölzel.
- M2020 .G62 A137 2024 — Der 137ste Psalm : für Chor, Sopran-Solo und Orchester : op. 14 (No. 1 der nachgelassenen Werke) / componirt von Hermann Goetz.
- M2074 .P36 P43 2024 — The pearl : for upper voices and organ / Roxanna Panufnik.
Books
- BL2590 .B7 B63 2024Y — Silencing the drum : religious racism and Afro-Brazilian sacred music / Danielle N. Boaz & Umi Vaughn.
- ML79 .M67 2024Y — Les mots de la musique / sous la direction de Franck Médioni.
- ML82 .P43 2025Y — Pretend we're dead : the rise, fall, and resurrection of women in rock in the '90s / Tanya Pearson.
- ML82 .K73 2024X — Hired guns : portraits of women in alternative music / by Amanda Kramer & Wayne Byrne.
- ML82 .T47 2024X — Women writing musicals : the legacy that the history books left out / Jennifer Ashley Tepper.
- ML82 .W633 2024X — Women and music in the age of Austen / edited by Linda Zionkowski with Miriam F. Hart.
- ML160 .M955 2024Y — Musique, histoire et musicologie : mélanges offerts à Philippe Gumplowicz / sous la direction de Thierry Favier, Anaïs Fléchet, Martin Guerpin, Grégoire Tosser et Jean-Claude Yon.
- ML189 .M68 2024Y — Le congrès du Caire de 1932 : la musique arabe à la recherche de son identité / Bernard Moussali ; édition critique et augmentée, avant propos et postface de Jean Lambert.
- ML190 .I36 2025Y — Les femmes et la musique au Moyen Âge / Anne Ibos-Augé.
- ML385 .L38 2025Y — Before Elvis : the African American musicians who made the King / Preston Lauterbach.
- ML398 .K45 2024Y — Cello : a journey through silence to sound / Kate Kennedy.
- ML410 .S6872 S36 2024X — How Sondheim can change your life / Richard Schoch.
- ML410 .H13 K44 2024X — Every valley : the desperate lives and troubled times that made Handel's Messiah / by Charles King.
- ML410 .N57143 H55 2024Y — A few words in defense of our country : the biography of Randy Newman / Robert Hilburn.
- ML410 .P835 F37 2024X — Florence Price : the life, compositions and influence of a Black American composer / William Farina.
- ML410 .B42 F45 2024Y — Le Fidelio de Beethoven : transferts, circulations, appropriations (1798-XXIe siècle) / Patrice Veit, Philippe Gumplowicz, Caroline Moine, Jean-Claude Yon (dir.) ; avec les contributions de Derrell Acon [and thirty-five others].
- ML410 .B5 E66 2024Y — L'épopée au siècle de Berlioz / sous la direction de Cécile Reynaud et Gisèle Séginger ; avant-propos de Bruno Messina ; contributions de Lucas Berton [and thirteen others].
- ML410 .B62 L225 2025Y — Carmen à sa création : une Andalousie âpre et fauve / Hervé Lacombe.
- ML410 .B773 B39 2025Y — Pierre Boulez, aujourd'hui / Laurent Bayle.
- ML410 .L7 F748 2024Y — Franz Liszt épistolier : lettres à son entourage professionnel et familier / Christiane Bourrel.
- ML410 .R23 B44 2025Y — Maurice Ravel / Karol Beffa.
- ML410 .S276 D46 2024X — Nash Alʹfred Shnitke : k 90-letii︠u︡ so dni︠a︡ rozhdenii︠a︡ / Aleksandr Demchenko.
- ML417 .T465 A37 2024Y — Sigismund Thalberg : une "star" à l'âge romantique : anatomies d'une célébrité / Rosalba Agresta.
- ML418 .B52 C37 2024Y — Don Miguel Borrull : un guitarrista flamenco para la historia / María Jesús Castro.
- ML419 .W37 H85 2025X — Doc Watson : a life in music / Eddie Huffman.
- ML420 .M4246 F4 2024X — The chronicles of DOOM : unraveling rap's masked iconoclast / S.H. Fernando Jr.
- ML420 .B11057 B33 2025Y — The Bad Bunny enigma : culture, resistance, and uncertainty / edited by Sheilla R. Madera, Nelson Varas-Díaz, and Daniel Nevárez Araújo.
- ML420 .M56 H37 2024X — Yves Montand : the passionate voice / Joseph Harriss.
- ML420 .F58 G37 2024Y — Tarantella sevillana : estrellas de la canción española en Italia / Lidia García García.
- ML420 .S1426 M68 2025Y — Samia Sandri : la voix / Sylviane Moukheiber.
- ML421 .G72 H86 2024Y — The silver snarling trumpet : the birth of the Grateful Dead : the lost manuscript of Robert Hunter / foreword by John Mayer ; introduction by Dennis McNally ; afterword by Brigid Meier.
- ML421 .J49 R45 2024Y — Never understood : the Jesus and Mary Chain / William and Jim Reid (with the assistance of Ben Thompson).
- ML421 .D392 M66 2024Y — High and rising : a book about De La Soul / Marcus J. Moore.
- ML421 .R436 M33 2024Y — Now you're one of us : the incredible story of Redd Kross / Jeff and Steven McDonald ; with Dan Epstein.
- ML421 .B754 G66 2024Y — Los Brincos : todas las historias / Manolo González ; prólogo de Alejandro Díez Garín.
- ML422 .L363 A3 2024X — Moments of happiness : a Wisconsin Band story / Mike Leckrone and Doug Moe.
- ML424 .F745 M37 2024Y — Daniel Friederich, 1932-2020 : luthier d'art / Alberto Martinez.
- ML1015 .K66 G57 2024Y — La kora de Victor Schœlcher : l'empire d'un instrument ouest-africain / Alexandre Girard-Muscagorry.
- ML1035 .N68 2024Y — La naissance de la batterie : les origines de la batterie et les premiers batteurs à La Nouvelle-Orléans / Guillaume Nouaux.
- ML1700 .B12 2024X — The nurse in history and opera : from servant to sister / Judith Barger.
- ML3082 .C37 2024Y — Sibil.la : naixement, metamorfosi i supervivència d'una profecia cantada / Laura de Castellet.
- ML3420 .D35 2024Y — Danse & voix : hiatus et parentés / codirigé par Anne Boissière et Paule Gioffredi.
- ML3477.8 .A97 C67 2024X — Austin music is a scene not a sound : an illustrated history of the first 100 years / Michael Corcoran.
- ML3477.8 .N48 B76 2024Y — Talkin' Greenwich Village : the heady rise and slow fall of America's bohemian music capital / David Browne.
- ML3488 .U28 2024 — Ubuntu fusion music / Yvetta Kajanová, ed.
- ML3545 .P38 2024Y — The worst songs in the world : the terrible truth about national anthems / David Pate.
- ML3620.7 .B75 G569 2024Y — La Bretagne à travers chants : gwerzioù ha sonioù / Daniel Giraudon.
- ML3747 .T6 2025Y — To sing in pairs : Austronesian chants among Taiwan's indigenous peoples / edited by Chun-Bin Chen.
- ML3820 .P43 2024Y — La recherche musicale et l'épreuve du sensible : écarts, échos, éclats / Sylvie Pébrier ; préface de Romain Louveau.
- ML3830 .B37 2024Y — Ecos de la melancolía : un viaje musical / Roger Bartra.
- ML3858 .S437 2024Y — A new philosophy of opera / Yuval Sharon.
- ML3916 .M9895 2024Y — Musiques, mondialisation et sociétés / sous la direction de Myriam Odile Blin et Pierre Albert Castanet.
- ML3918 .S74 B35 2024Y — Down on the corner : adventures in busking & street music / Cary Baker ; foreword by Dom Flemons.
- MT92.B4 A75 2024Y — L'évolution de l'harmonie chez Beethoven / Vincent Arlettaz.
- MT583 .B65 I5 2024 — Introduction to the practice of figured bass for guitarists / Piero Bonaguri, Luciano Chillemi.
- MT585 .B66 I57 2024 — Introduzione alla pratica del basso continuo per chitarristi / Piero Bonaguri, Luciano Chillemi.
- PN56 .S6665 B63 2024Y — Bodies of sound : becoming a feminist ear / edited by Irene Revell and Sarah Shin.
eBooks
- Oxford
- Cambridge
- Routledge
- other eBook platforms available through University of Toronto Libraries.
CDs
- CD23089 — 24 capricci per violino solo, op. 1 / Nicolò Paganini.
- CD63969 — Drive American : works / by John Adams, Joan Tower, Daniel Crozier, Chen Yi, Augusta Read Thomas, William Bolcom.
- CD66272-66273 — Das wohltemperierte Klavier II / J.S. Bach.